Paul Bailey, who passed away last year at 87, was acclaimed for his comic brilliance, profound compassion extending to his deeply imperfect creations, and a sharpness that never felt cold. His literary works repeatedly investigated the influence of recollections in shaping lives, driven by witty, staccato exchanges. Beyond novels, he was also a memoirist, poet, and more—here is a guide to the volumes he authored.
Paul Bailey proved an outgoing person, a skilled communicator who adored casual small talk, according to a fictional persona. He and friend fellow writer Beryl Bainbridge would watch Coronation Street and discuss it over calls. This fondness for informal dialogues is evident in his books Trespasses (from 1970) along with the title Peter Smart’s Confessions (dating to 1977). The two present a central male figure surrounded by comic, maddening, theatrical individuals, often close relatives whose influence is inescapable. “What’s so great about being normal?” Ralph’s mum questions in the book Trespasses upon his coming out. Comparable to hanging out with your smartest, cheekiest pal.
The novelist penned superbly on old age, early and late in his career. His initial fiction At the Jerusalem (published in 1967) follows the journey of Faith Gadny as she adjusts to a nursing home, where fellow residents provide kindness lacking from staff, whose concern by asking “Why aren’t you ladies watching the television?”. Within his second-last book Chapman’s Odyssey (released in 2011), a senior in hospital switches between clashing with physicians (“My wine selection is exclusive”, he insists when scolded for liver results) and experiencing a rush of recollections from his parent, romances, fictional icons like Dickens’s Pip to Austen’s Emma. Each volume include comic interactions yet shadowed by approaching finality. In Bailey’s fiction, laughter is suspect. In At the Jerusalem, “the matron beamed, then stopped suddenly”; The character giggles with unease upon challenge to her conduct. In that novel, Harry advises that “my smiles aren’t what they seem”. Your laughter, nonetheless, is sincere.
Besides novels, The author excelled as a skilled autobiographer, issuing two personal accounts. An Immaculate Mistake (published in 1990) stands as a masterpiece of recollection, its name coming from his mum’s statement labeling him an “accident” and questioning his presence. (“Elderly, she disclosed hidden truths,” he adds. “She understood this would captivate me.”) This book reveals the sources of misguided, loving, frustrating parents throughout his books. It also paints a beautiful image of a homosexual young man in the 1940s–50s, during a time of anti-gay laws, and his relatives considered it strange for a boy to buy his mother flowers; and of a would-be thespian (Paul Bailey performed before writing) who could recite Hamlet as a teen. His subsequent life story the book A Dog’s Life (from 2004) centers on existence alongside his mixed-breed dog Circe, his previous lover David, his affection for Romania—which inspired later novels like Kitty and Virgil, Uncle Rudolf, and The Prince’s Boy—and plenty of gossip, featuring an anecdote involving author Iris Murdoch calling an audience member a “stupid cow”.
Bailey’s novels are mostly concise—the impactful Old Soldiers (from 1980) is barely 100 pages—but for something shorter, sample his verse from his later career. The pair of volumes Inheritance (2019) and also Joie de Vivre (2022) display his cleverness, sympathy, exactness in brief format. These verses are rich with endings and beginnings. Two affectionate topics reappear: regarding his mum (“I feel nearer to you now—/ I must confess—/ than when you lived”) and for his spouse Jeremy Trevathan. In that piece, he describes the joy of enjoying “foolish television” side by side, finishing with: “It’s amazing, somehow, to eat cheese and sip wine while the world darkens.”
There is little debate that Bailey’s most ambitious novel remains the novel Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He was a Booker judge in 1982, an experience he despised.) This was the book Paul Bailey valued most, despite the fact “it consumed all his energy”. It relates Gabriel Harvey’s story, with a missing mother while his dad transforms into a intolerable pretentious person after inheriting wealth, and the events may link. It’s a depiction of London in the 1900s, an account of psychological collapse, and as funny and sad similar to his entire output. Additionally, it prompted a subsequent book, Sugar Cane (1993), which the author studied by visiting brothels as an observer.
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